Italian High Renaissance Painter, 1472-1517, also known as Baccio della Porta, was an Italian Renaissance painter of religious subjects. He was born in Savignano di Prato, Tuscany. He received the nickname of Baccio della Porta for his house was near the Porta ("Gate") San Pier Gattolini. Starting from 1483 or 1484, by recommendation of Benedetto da Maiano, he apprenticed in the workshop of Cosimo Rosselli. In 1490 or 1491 he began a collaboration with Mariotto Albertinelli. In the late 1490s Baccio was drawn to the teachings of Fra Girolamo Savonarola, who denounced what he viewed as vain and corrupt contemporary art. Savonarola argued for art serving as a direct visual illustration of the Bible to educate those unable to read the book. From 1498 is his famous portrait of Savonarola, now in the Museo Nazionale di San Marco in Florence. The following year he was commissioned a fresco of the Universal Judgement for the Ospedale di Santa Maria Nuova, completed by Albertinelli and Giuliano Bugiardini when Baccio became a Dominican friar on July 26, 1500. The following year he entered the convent of San Marco. He renounced painting for several years, not resuming until 1504 when he became the head of the monastery workshop in obedience to his superior. In that year he began a Vision of St. Bernard for Bernardo Bianco's family chapel in the Badia Fiorentina, finished in 1507.   Related Paintings of Fra Bartolomeo :. | The Vision of St. Bernard ca 1504 | Scene with Christ in the Temple | Noli Me Tangere | Pieta | The Anunciacion, Holy Margarita, Maria Mary magdalene, Pablo, Juan the Baptist, Jeronimo and Francisco |
Related Artists:
Eustache Le Sueur
French Baroque Era Painter, 1616-1655. French painter and draughtsman. He was one of the most important painters of historical, mythological and religious pictures in 17th-century France and one of the founders of French classicism. He was long considered the 'French Raphael' and the equal of Nicolas Poussin and Charles Le Brun. His reputation reached its zenith in the first half of the 19th century, but since then it has been in decline, largely as a result of the simplified and saccharine image of the man and his art created by Romantic writers and painters. Nevertheless, more recent recognition of the complexity of his art has resulted in a new interest in him and in his place in the evolution of French painting in the 17th century. Despite the almost total absence of signed and dated works, the chronology of Le Sueur's oeuvre can be established with the aid of a few surviving contracts, dated engravings after his paintings and the list of works published by Le Comte in 1700.
Charles Napier Hemy
English Painter, 1841-1917, British painter, He was born at Newcastle-on-Tyne, of a musical family. He was trained in the Government School if Design, Newcastle, in the Antwerp academy and in the studio of Baron Leys. He returned to London in the 1870s. In 1881, he moved to Falmouth, Cornwall. He produced some figure subjects and landscapes, but is best known by his marine paintings. He was elected an Associate of the Royal Academy in 1898 and an Academician in 1910, Associate of the Royal Society of Painters in Water Colours in 1890 and member in 1897. Two of his paintings, "Pilchards" (1897) and "London River" (1904), are in the Tate collections. He had two brothers who were also artists, Thomas Hemy and Bernard Hemy. He died in Falmouth on September 30, 1917.
Nandkishor Soni
1879